Graduate Conference

About the Annual Graduate Conference

Each spring, the Comparative Literature M.A. and Ph.D. students organize a graduate conference that stands out for its distinctive keynote speakers and international contributors. Typically addressing topics related to interdisciplinarity, the conference continues to attract broad attention from students and scholars throughout the humanities, arts, and social sciences. In recent years, the conferences have been organized around an overarching theme "Literature, Politics, Aesthetics."

Current Conference 

The Eighth Annual Department of Comparative Literature Conference
Literature, Politics, and Aesthetics: Sites of Decay
University Downtown Center

Friday, March 13, 2015 Room UU220A/B
9:00- 9:30—Breakfast

9:30- 9:45—Opening Address (Comparative Literature GSO)

9:45- 11:15—Panel 1: Decay in Literature (Moderator: Diviani Chaudhuri)

Jason Parry (Binghamton University), "The Entropic Universe of Marguerite Yourcenar"
Ahmad AL Khabbas (Binghamton University), "Lebanese Civil War and Decadent Memories and Mutilated Bodies: A Reading of Elias Khoury's City Gates"
Stacy Stingle (University of Wisconsin-Milwaukee), "A Saleable Modernity: Youth as Commodity and Decay in Oscar Wilde's The Picture of Dorian Gray"

11:15- 11:45—Coffee Break (Natalia Andrievskikh digital storytelling project "After-Life of Discarded Objects")

11:45- 12:45—Panel 2: Politics of Decay (Moderator: Saqer Almarri)

Kai Wei Yang (Binghamton University), "Marx, Bataille, and the Peddlers"
Berkay Ustun (Binghamton University), "The Man without Faculties: Gilles Deleuze's Reckoning with an Old Tradition in the Context of Philosophy of Mind"

1:00- 2:30—Lunch

2.45- 4:15—Keynote Address: Dr. Ann Stoler (Willy Brandt Distinguished University Professor of Anthropology and Historical Studies at The New School), "Duress: Concept-work for our times," introduction by Dr. Gisela Brinker-Gabler (Professor of Comparative Literature at Binghamton University)

5:00—Jungle Science Art Gallery Reception

8:00—Dinner Thai Time Restaurant (96 Front Street)

Saturday, March 14, 2015 Room UU220.A/B

10:00- 10:30—Breakfast

10:30- 11:45—Panel 3: Decay, Space, and Resistance (Moderator: Ross Lipton)

Kate Corder (Reading, UK), "Explorations of decaying agricultural land surrounding Heathrow Airport"
Alex Feim (Binghamton University), "Entangled Durations: Gordon Matta Clark's Bingo"
Maura Bainbridge (Binghamton University), "Pittsburgh's Waterfront and Homestead Strike"

11:30- 11:45—Coffee Break

11:45- 1:15—Panel 4: Postindustrial Landscapes (Moderator: Irina Gugushina)

Alisa Chirico (Cornell University), "Dissolution and Emergence: The Post-Industrial Landscape"
Rui Gomes Coelho (Binghamton University), "Ruination, photography and the creation of a post-industrial landscape in Broome County, New York"
Debora Faccion (Binghamton University), "Micropolitics of Pixacao: Negotiating the aesthetics of destruction in the art world"

1:15- 2:30—Lunch

2:45- 4:15—Faculty Keynote Address Dr. Julia Walker (Assistant Professor of Art History at Binghamton University), "Designing Decay: Rem Koolhaas's Berlin," introduction by Ross Lipton (Doctoral candidate at Binghamton University)



2015 Call For Papers

Sites of Decay, March 13-14, 2015

Faculty Keynote: Julia Walker, Art History Department (Binghamton University)

Decay calls upon a variety of meanings. It can be defined as decomposition over time, or as site of decomposed material; as the processional decrease in material magnitude; or as a displacement of organic power. Decay places and takes place. Decay may be erosion, both from outside and from within. Decay negotiates, monumentalizes, ossifies and ruins. The eroded sites invoke ludic aspects of decay's simultaneous presence and absence. Its discourse draws attention to spatio-temporal flux, and further renders discontinuities, creases and folds at decay's various sites. The discourse of decay centers in ideal conceptions of corporeal, aesthetic, political, and cultural sites. Decay can be manifest in death, disease, contamination, transgression. Ruins, monuments, bodies, borders, texts all serve as its locales.

The topic of decay has been taken up in various artistic and literary productions (whether in recent exhibitions of modern art, in avant-garde movements, or in literature of fin de siècle), as well as in theoretical readings that have implications for various disciplinary practices.

We invite talks/papers as well as artistic productions that deal with but are not limited to the following topics:

Politics of decay: Is decay a process occurring over time or an instantaneous Event? How do we define decay? To what extent does decay reveal something of the subject-object relationship? In what ways might notions of decay destabilize existent frameworks of representation? How might one locate the various sites of decay?

Corporeality and decay: How does decay enter and change the notion and the borders of the body? What are some sites of transgression? How does this border crossing happen: through disease, contamination and death? What happens after death? Is it possible to contain or stop this process?

Memory/ forgetting and decay: How or does the decay of memory result in the loss of identity? What about dementia? Is decay becoming? What about schizophrenia, or a degradation of the dialectic of the totality and dialectic of becoming? What is the connection to the sites of memory and monumentalization? What about the "recycling" of monuments? How are sites of decay related to the feelings of nostalgia?

Environment and decay: What is the "nature" of decay? How does decay help define the forms of life? How do we conceptualize waste and wastefulness versus consumption? How does decay affect our lived and built environment? How do we think of decay as working against the grain of history?

Aesthetics and Decay: What is our reaction (repulsion or attraction) to decay as an aesthetic? Is aesthetics "contagious"? What do we make of the notion of "decay of aesthetics" in avant-garde? What about the notions of "art for art's sake" or the so-called "degenerate art"? Is there a decay of aesthetics in post-war places? Is there an element of decay in the passing of fashion and trends?

Literature and decay: How does decay destabilize theories of representation? What about erosion of the corpus/body of works/canon? How does decay counter master narratives, including, among others, the narrative of decay of "civilization"? How do we read decadence in literature (Silver Age vs. Golden Age in Roman literature) or literature of fin de siècle, to give a few examples?

Translation and Decay: What is the relationship of translation to language? Is decay mediation? Is translator an agent of contamination? Is translation a site of contamination? How and why does a translation decay over time? Is it necessary for translations to decay in order for the original to continue?

Please send an abstract of at least 250 words detailing your proposal for a twenty-minute presentation or artistic submissions along with your C.V. to by January 23rd, 2015.


Past Conferences


Literature, Politics, Aesthetics: Jacques Rancière and the Politics of A-Disciplinarily, March 28-29, 2014
Interdisciplinarity has become a buzzword across the humanities; the term usually implies that scholars make use of the tools of another discipline while remaining within the boundaries of their own. The French philosopher Jacques Rancière points to the impossibility of this project, describing his work as "a-disciplinary" or "in-disciplinary." We propose a conference about Rancière for three reasons: firstly, he takes up questions and concepts that belong to multiple disciplines; secondly, his ideas have been adopted within different disciplines; and lastly, Rancière himself theorized the nature of disciplines and disciplinary boundaries.


Literature, Politics, and Aesthetics: The Production of Knowledge and the Future of the University, March 8-9, 2013
Neoliberal policies have restructured the university, disciplinary knowledge, and the disciplines themselves. With the formation of the 'for-profit' university, profit-bearing disciplines are valorized, student loans increase drastically, and humanities departments are pressured to redefine themselves in the face of intrusive economic demands. But where does this leave the humanities? What is the status of knowledge production given economic deregulation and privatization shaping the present and future of the university?


Forms of Life: Literature, Politics, Aesthetics, March 2-3, 2012
What comprises the matrix within which a given language has meaning? How is meaning constructed and how is it operative across social, cultural, and linguistic impasses? How is conflict and antagonism orchestrated both across and within disparate forms of life? To interrogate the emergence of sense as well as the conflicts that arise as a result of making sense, we welcome submissions that theorize the concerns outlined above with a particular eye toward their theorization as forms of life. In this way, we seek submissions that span disciplinary boundaries and topics, broadly speaking, related to literature, linguistics, politics, alternative and utopian imaginaries, aesthetics, and tactics of resistance.


Sexuality Across the Disciplines, April 30, 2010
This interdisciplinary graduate conference seeks to consider the intersections between literature and other humanities and social sciences fields, including anthropology, sociology, philosophy, art history, history, and how these fields interpret, understand, and/or engage issues of sexuality. The conference will be held in LT 1506 from 8:30 am to 2:00 pm. It will be followed by a roundtable discussion. Free and open to the public.


Inhabiting the Transnational, February 20, 2009
The Department of Comparative Literature presents a conference on "Inhabiting the Transnational," Friday, February 20, in LT 1506 (9:00-12:30 p.m.) and in LT 1406A (1:30-4:30 p.m.). For questions and program information please contact Gisela Brinker-Gabler ( or Annemarie Fischer ( Free and open to the public.

Last Updated: 8/1/16