(American, born 1971)
Knot, 2014
Oil, ashes, gouache on paper
Courtesy of the artist
Artist's Statement: Kintsugi is the ancient Japanese art of repairing ceramics with gold. In the process, something damaged becomes more precious. How like us, don't you think, that through our pain and mending we become more beautiful? Recently, that notion of tending cracks and tears guides my hands. So, too, does the need to record illusive ghosts. The brittle wisps of dried tulips; the irreducible tangle of knotted fishing line – impossible to keep entirely in single focus; the hollow folds of an old shirt, empty of its wearer; the spine (or mind or heart) invisibly re-knitting itself after trauma. These are delicate and fine things we cannot hold. Like found drawings, or lines wrought in the environment by suspended wires, or fissures in stone walls, or meandering tar patches on pavement caught by sunlight – all involuntary marks left by the unconscious generosity of humans or nature. These varied gifts are source material for a body of work that captures the fleeting, the delicate, and the lost, and then strives to repair what is broken. My current work is driven by grief for my friend who died in my arms from an overdose on heroin. I emptied his apartment and one-by-one am painting and honoring the things that represent my remaining ties to him. His ghostly belongings are screened and inaccessible behind veils and barriers. Art has become my solace and my call to action. I have begun work as an artist-in-residence with the recovery community and am beginning a public memorial space/sculpture project for all who have been lost to this horrific epidemic. |