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The Cinema Department presents Maggie Hennefeld, "Laughter Against the Grain: Archives of Feminist Film Comedy" on March 17 at 6pm in LH 6. This event is generously co-sponsored by the Departments of English, Comparative Literature, Art History and the Material & Visual Worlds TAE. Free admission. Open to the public.
The wager of this event is that the future of Medusan resistance against the rampant dismantling of democratic bulwarks will ignite from the archives of feminist film comedy! Toward that end, this talk and screening will reveal the uproarious history of feminist film comedies that have been long unseen, poorly preserved, and even unrealized. Relevant examples run the gamut from early silent-era trick shorts and slapstick larks to post-war existential absurdism, cannibalistic satire, rabble-rousing mockumentary, and archival fabulation. In particular, I focus on comedic experiments that push laughter against grain—beyond genre conventions, ideological orthodoxy, or even the expectation of humor. When can laughter set us free? Jokes give voice to wild taboos but are easily hemmed in by narrative clichés. This talk will look askance at the canon and will instead mine the archive for hilarious, avant-garde, unruly, and political instances of world-breaking feminist laughter that provoke us to imagine otherwise.
Maggie Hennefeld is Professor of Cultural Studies & Comparative Literature at the University of Minnesota, Twin Cities. She is author of Death by Laughter: Female Hysteria and Early Cinema (Columbia UP, 2024) and Specters of Slapstick and Silent Film Comediennes (Columbia UP, 2018), an editor of the journal Cultural Critique (UMN Press), and co-curator of Cinema’s First Nasty Women (Kino Lorber, 2022), a DVD/Blu-ray set that spotlights 99 feminist silent films.
Wednesday, March 19, 6pm - 8pm
John Arthur Café, Fine Arts Building
Undergraduate poets are invited to share their writing during an open mic hosted by Professor Joe Weil.
Karen Holmberg
Clinical Assistant Professor and Scientific Director of the Gallatin Wetlab, New York University
"Fireflies, Lightning, Squid, and Stone-Eating Mollusks: Imaging and Imagining Radical Environmental Change in the Past, Present, and Future"
Thursday 20 March
6:00 PM
Fine Arts 258
Graduate Thesis Studio Show
Choreographed by Jithendra Vidyapathy (Jith)
Advised by Lakshmi Bulathsinghala
Performances:
March 20 at 8pm
March 21 at 8pm
March 22 at 8pm
March 23 at 2pm
Location: FA 196 / Studio B
Price: FREE
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/21-3/23/25 - Lawrence Abu Hamdan
Rubber Coated Steel (2016, 15 mins)
Walled Unwalled (2018, 20 mins)
The Whole Truth (2012, 32 mins)
Graduate Thesis Studio Show
Choreographed by Jithendra Vidyapathy (Jith)
Advised by Lakshmi Bulathsinghala
Performances:
March 20 at 8pm
March 21 at 8pm
March 22 at 8pm
March 23 at 2pm
Location: FA 196 / Studio B
Price: FREE
Date: Saturday, March 22
Time: 1-3PM
BUAM Main Gallery
All events are free and open to the public.
Graduate Thesis Studio Show
Choreographed by Jithendra Vidyapathy (Jith)
Advised by Lakshmi Bulathsinghala
Performances:
March 20 at 8pm
March 21 at 8pm
March 22 at 8pm
March 23 at 2pm
Location: FA 196 / Studio B
Price: FREE
Graduate Thesis Studio Show
Choreographed by Jithendra Vidyapathy (Jith)
Advised by Lakshmi Bulathsinghala
Performances:
March 20 at 8pm
March 21 at 8pm
March 22 at 8pm
March 23 at 2pm
Location: FA 196 / Studio B
Price: FREE
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/21-3/23/25 - Lawrence Abu Hamdan
Rubber Coated Steel (2016, 15 mins)
Walled Unwalled (2018, 20 mins)
The Whole Truth (2012, 32 mins)
Monday, March 25, 5:00PM
Main Gallery
Binghamton University Harriet Tubman Center for Freedom and Equality in partnership with Binghamton University Art Museum presents Harriet Tubman sculptor Zoe Dufour.
All events are free and open to the public.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas): Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (Binghamton University): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College): Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University): Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
Department of Art and Design Faculty Exhibition
2/27—3/27/25 | M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
Date: Thursday, March 27
Time: 5-7PM BUAM Main Gallery
All events are free and open to the public.
TRANSCORPOREALITY
MARCH 28 & 29, 2025
LINDSAY STUDY ROOM (FA 179)
KEYNOTE SPEAKER: ANDREW MOISEY, PhD
FACULTY SPEAKER: KATHERINE REINHART
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/28-3/30/25 - The Ascent, Karusa Shepitko, Soviet Union,1977, 109min.
Shepitko’s emotionally overwhelming final film won theGolden Bear at the 1977 Berlin Film Festival and has been hailed around theworld as the finest Soviet film of its decade. Set during World War II'sdarkest days, The Ascent follows the path of two peasant soldiers, cut off fromtheir troop, who trudge through the snowy backwoods of Belarus seeking refugeamong villagers. Their harrowing trek leads them on a journey of betrayal,heroism, and ultimate transcendence. Their harrowing trek leads them on ajourney of betrayal, heroism, and ultimate transcendence.
TRANSCORPOREALITY
MARCH 28 & 29, 2025
LINDSAY STUDY ROOM (FA 179)
KEYNOTE SPEAKER: ANDREW MOISEY, PhD
FACULTY SPEAKER: KATHERINE REINHART
Rhythm India: Bollywood & Beyond
Sunday, March 30, 2025
Osterhout Concert Theater | 3 p.m.
Box Office
Rhythm India takes you on a journey of dance and celebration through Bollywood and beyond. Experience the vibrant costumes, dynamic music and soulful rhythms of the “ghungroo” dancing bells–from the echoing heartbeats of royal palaces and sacred temples to the swaying voices of desert villages and modern stages. Created by World Choreography Award nominee & Telly Award -winning director & choreographer Joya Kazi, featuring the company dancers of Joya Kazi Unlimited as seen on screens from Bollywood to Hollywood.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
3/28-3/30/25 - The Ascent, Karusa Shepitko, Soviet Union,1977, 109min.
Shepitko’s emotionally overwhelming final film won theGolden Bear at the 1977 Berlin Film Festival and has been hailed around theworld as the finest Soviet film of its decade. Set during World War II'sdarkest days, The Ascent follows the path of two peasant soldiers, cut off fromtheir troop, who trudge through the snowy backwoods of Belarus seeking refugeamong villagers. Their harrowing trek leads them on a journey of betrayal,heroism, and ultimate transcendence. Their harrowing trek leads them on ajourney of betrayal, heroism, and ultimate transcendence.
Faculty Panel
Thursday, April 3, 5:00 PM
Main Gallery
Professor Tom McDonough (Art History) lead a conversation with professors Heidi Nichols (Sociology), Daniel Robles (History) and Julia Walker (Art History) about the exhibition Monuments: Commemoration and Controversy.
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location: FA 192 / Studio A
Price: FREE
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location: FA 192 / Studio A
Price: FREE
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location: FA 192 / Studio A
Price: FREE
Graduate Thesis Studio Show
By Lara Foot Newton
Graduate Thesis Studio Show
Directed by Abdul Razak Mohammed (Zach)
Advised by Brandon A. Wright & David Bisaha
Performances:
April 3 at 8pm
April 4 at 8pm
April 5 at 8pm
April 6 at 2pm
Location: FA 192 / Studio A
Price: FREE
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/4-4/6/25- Evil Does Not Exist, Ryusuke Hamaguchi, Japan,2023, 106 min.
In the rural alpine hamlet of Mizubiki, not far from Tokyo,Takumi and his daughter, Hana, lead a modest life gathering water, wood, andwild wasabi for the local udon restaurant. Increasingly, the townsfolk becomeaware of a talent agency’s plan to build an opulent glamping site nearby,offering city residents a comfortable “escape” to the snowy wilderness. Whentwo company representatives arrive and ask for local guidance, Takumi becomesconflicted in his involvement, as it becomes clear that the project will have apernicious impact on the community. Ryusuke Hamaguchi’s follow up to hisAcademy Award-winning DRIVE MY CAR is a foreboding fable on humanity'smysterious, mystical relationship with nature. As sinister gunshots echo fromthe forest, both the locals and representatives confront their life choices andthe haunting consequences they have.
Wednesday, April 9, 6pm - 8pm
Old Champlain Hall, Atrium
In a special collaboration with the Human Rights Institute, the Creative Writing Program welcomes novelist, poet, essayist, playwright, and screenwriter Chris Abani. He is the author of the poetry collections Smoking the Bible and Sanctificum, the novels Song for Night and GraceLand, and the essay collection The Face, among many other books. His work has been translated into French, Italian, Spanish, German, Swedish, Romanian, Hebrew, Macedonian, Ukrainian, Portuguese, Dutch, Bosnian, and Serbian. Through his TED Talks and other public speaking, Abani is known as an international voice on humanitarianism, art, ethics, and our shared political responsibility.
April 10-24, 2025 | M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
Opening reception Thursday, April 10, 4:30-6:00 p.m.
Adrian Anagnost
Associate Professor, History of Art, Tulane University
"Naming Waters, Claiming Lands: Territorial Fictions and Ecological Entanglements in the Gulf South"
Thursday 10 April
6:00 PM
Fine Arts 258
The Binghamton University Music Department and Creative Writing Program continue their 4th annual collaboration this spring. Student composers, writers, and performers create compositions that celebrate poetry, music, and the singing voice.
Presented in conjunction with the Binghamton University Art Museum’s Spring 2025 exhibition, Monuments: Commemoration and Controversy, this semester-long project culminates in live performances of over a dozen new musical works.
Guided by Professors and fellow artists Tina Chang, Daniel Thomas Davis, Lembit Beecher, James Budinich, Hippocrates Cheng, Jen DeGregorio, Thomas Goodheart, Brenda Iglesias, and Joe Weil, this unique assembly of talent highlights the breadth and depth of imagination that make Binghamton such an inventive and inspiring place to study and create.
Sponsored by School of the Arts and BU Art Museum.
VizCult Seminar Series
Wednesday February 26th - Emily Monty (University of Kansas): Printmaking and Community: Forming Hispanic identity in Early Modern Rome
Wednesday March 5th - Kevin Hatch (Binghamton University): "A Complicated Business": Corita Kent’s Intertextual Art Practice and the Catholic Left
Wednesday March 26th - Kathryn O'Rourke (Wellesley College): Architectural Archaism and The Economist Building
Wednesday April 23rd (Ferber Lecture) - Maeve Doyle (Eastern Connecticut State University): Genderqueerness in the Reliquary Statue of Sainte Foy: Transing the Art History Canon
April 10-24, 2025 | M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
"First Things" conversation with
Hippocrates Cheng (Assistant Professor, Music)
Andrea Gyenge (Assistant Professor, Cinema)
Jennifer Stoever (Associate Professor, English, General Literature and Rhetoric)
Thursday 24 April
5:00 PM
Location TBA
iLuminate
Thursday, April 24, 2025
Osterhout Concert Theater | 6 p.m.
From the moment the lights fade to darkness, you are transported into another world, another dimension, where the music moves you and the visuals are unlike anything you’ve ever seen. Welcome to iLuminate, named “Best New Act in America” by America’s Got Talent in 2011. A fantastic fusion of cutting edge technology and dance, iLuminate features a cast of the country’s top dancers performing to energetic music, including top pop and rock hits from the 1970s through the 1990s, a little jazz, a little Latin, a little hip-hop, and more. The dancers are outfitted with customized LED suits synced to iLuminate’s proprietary software to create extraordinary lighting effects with each of the phenomenally choreographed dance moves.
Friday, April 25, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
April 25 - 8pm
April 27 - 2pm
May 2 - 8pm
May 3 - 8pm
May 4 - 2pm
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
April 25 - 8pm
April 27 - 2pm
May 2 - 8pm
May 3 - 8pm
May 4 - 2pm
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
All screenings at 7:30PM in LH6 (doors open at 7PM)
Free for Cine-121 students w/ID, $4 for all others
4/25-4/27/25- Sarraounia, Med Hondo, 1986, 122min.
Director Med Hondo unflinchingly depicts the horrors ofcolonial occupation and conflict with a realistic, epic style, to adaptAbdoulaye Mamani’s Sarraounia, a historical novel about the West African Battleof Lougou. With an incisive eye toward the psychology of warfare, Hondo chartsthe brutal arrogance of French commanders Captain Paul Voulet and LieutenantJulien Chanoine, as well as the fierce determination of Sarraounia, the titularAzna queen, a revered leader who inspires her people to fight the French armywhen most of the surrounding tribes have made deals with the invaders or joinedtheir forces. Ready to meet her adversaries on the battlefield to defend hertribe and its way of life, native oral history claims she was a witch who couldhurl fire at the invaders and any crops that were blazed to ash regrewovernight with more than enough food to keep the warriors going. Rarelyscreened today, Sarraounia remains one of the greatest experiments inhistorical-surrealism to come from Africa.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
April 25 - 8pm
April 27 - 2pm
May 2 - 8pm
May 3 - 8pm
May 4 - 2pm
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
April 25 - 8pm
April 27 - 2pm
May 2 - 8pm
May 3 - 8pm
May 4 - 2pm
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
By David Ives
Directed by Lydia Korneffel
Advised by Lisa Rothe
Performances:
May 1 at 8pm
May 2 at 8pm
May 3 at 8pm
May 4 at 2pm
Location: FA 196 / Studio B
Price: FREE
April 25 - 8pm
April 27 - 2pm
May 2 - 8pm
May 3 - 8pm
May 4 - 2pm
World-renowned Costa Rican choreographer, Rogelio López, teams up with BU faculty and students to create an entirely new collaborative production. López, who has dedicated his career to movement and the investigation of it as a universal human expression, will be exploring the theme of "the person and nature" in this original dance-theater work.
May 5-9 , 2025 | M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
No opening reception for this exhibition apart from Festival of the Arts / Open Studio Night existing events.
Jerry Zee
Assistant Professor, Anthropology, Princeton University
"Fault Zones: Sino-American Encounters with Geophysics"
Monday 5 May
6:00 PM
Lecture Hall 9
May 5-9 , 2025 | M-F 9-4 p.m.
Rosefsky Gallery (FA 259) | Free Admission
No opening reception for this exhibition apart from Festival of the Arts / Open Studio Night existing events.
Friday, May 9, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall, and online
This event will celebrate the new issue of BU's graduate-student-led literary magazine Harpur Palate's new issue with readings by the winners of the Harpur Palate Prize for Nonfiction and the John Garner Award for Fiction as well as the guest judge of each prize, Lily Dancyger and Marjorie Celona.