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Upcoming events
2/26/2026
Casadesus Recital Hall
Our voice students are on their way to compete in the National Association of Teachers of Singing competition. Come hear the selections they will be performing before they go to N.A.T.S.
Free Admission
Saloni Parekh: "God, Otherwise"
On View: February 26—March 26, 2026
The Department of Art and Design hosts a lecture and exhibition opening reception by Saloni Parekh, visiting assistant professor of studio art at Oberlin College.An artist lecture will take place from 5-6 p.m. Thursday, Feb. 26, in FA 258. An opening reception will follow from 6-7 p.m. in the Rosefsky Gallery, FA 259.
Parekh's exhibition "God, Otherwise” invites viewers to engage with god beyond the constraints of fixed imagery, inherited dogmas, and historical structures of power. Rather than offering a definition, Parekh’s work approaches god as an open-ended question, an understanding actively constructed and realized through the act of painting, in an effort to find who god is and what god looks like.
All events are free and open to the public.
Saloni Parekh: "God, Otherwise"
On View: February 26—March 26, 2026
The Department of Art and Design hosts a lecture and exhibition opening reception by Saloni Parekh, visiting assistant professor of studio art at Oberlin College.An artist lecture will take place from 5-6 p.m. Thursday, Feb. 26, in FA 258. An opening reception will follow from 6-7 p.m. in the Rosefsky Gallery, FA 259.
Parekh's exhibition "God, Otherwise” invites viewers to engage with god beyond the constraints of fixed imagery, inherited dogmas, and historical structures of power. Rather than offering a definition, Parekh’s work approaches god as an open-ended question, an understanding actively constructed and realized through the act of painting, in an effort to find who god is and what god looks like.
All events are free and open to the public.
Jonathan Larson’s groundbreaking Tony and Pulitzer Prize -winning musical RENT returns in a powerful new symphonic concert version.
With a live cast, full band, and symphonic arrangements, RENT in Concert reimagines the beloved rock musical in a bold and moving format. This production brings Larson’s raw, emotional score to life with a new sonic depth while staying true to its story of community, love, loss, and resilience in the face of the HIV/AIDS crisis.
Fans of the original will find this concert both familiar and fresh; an homage to a show that defined a generation and continues to speak powerfully today.
March 2 - 5, 2026
DESCRIPTION
Chandler Johnson, Director of the Santa Opera Apprentice Artist Program, and International Soprano and Binghamton University Alumna, Caitlin Gotimer, will be in residence with the Binghamton University Music Department, March 2-5. While here, the artists will lead masterclasses, private coachings, and a recital on March 4th.
EVENT SCHEDULE
- Masterclass, March 2, 2:00pm, Anderson Center Chamber Hall (open to Binghamton University Students)
- Alumna Recital, March 4, 7:30pm, Casadesus Recital Hall (open to the public)
- Masterclass, March 5, 10:30am, Tri-Cities Opera Center (315 Clinton Street)
ARTISTS BIOS
Chandler Johnson
Chandler Johnson has extensive professional experience on and off the operatic stage. He joined the artistic staff of The Santa Fe Opera in 2021 as the Artistic Associate, and now he serves as the Director of the Apprentice Program for Singers at The Santa Fe Opera. Previously, Chandler was the Associate Manager of Artistic Programs at the Los Angeles Opera, and was one of the first Artistic Fellows chosen by the Opera Theatre of Saint Louis as part of their Clayco Future Leaders Fellowship Program. He served as an artistic intern with Stratagem Artists and was selected to participate in the M3 seminar hosted by L2 Artists aimed to develop candidates from diverse backgrounds for artist management and arts administration. On stage, Chandler has performed with companies including Opera Santa Barbara, The Glimmerglass Festival, Chautauqua Opera, St. Petersburg Opera, Opera Columbus, and Cincinnati Opera. Chandler holds both a Bachelor’s of Music and a Master’s of Music in Vocal Performance, from the University of Cincinnati College-Conservatory of Music.
Caitlin Gotimer
In the 2025/26 season, Ms. Gotimer reprises the title role in Tosca at the renowned Glyndebourne Festival under Robin Ticciati; she makes a thrilling debut at the Royal Danish Opera, singing Nedda in Pagliacci under the baton of Giulio Cilona; makes her role debut as Cio-Cio San in Madama Butterfly with North Carolina Opera; and joins the roster at the Metropolitan Opera to cover Mimì in La bohème. In concert, she sings Handel’s Messiah with New Jersey Symphony Orchestra and appears at the Megaron Mousikis in Athens for a special performance of Rufus Wainwright’s Dream Requiem. Recent operatic credits include La Madre (La Fiamma) and Donna Anna (Don Giovanni) for Deutsche Oper Berlin; Nedda (Pagliacci) for Pittsburgh Opera; Countess (Le nozze di Figaro) at the Aspen Music Festival as a Renée Fleming Artist; Juliette (Roméo et Juliette) and Mimì (La bohème) for Arizona Opera; and Fiordiligi (Così fan tutte) for Dallas Opera. She has also covered Musetta (La bohème) at the Bravo! Vail Music Festival, and the title role in Suor Angelica and Giorgetta in Il tabarro in a high-profile production led by Carlo Rizzi for Opéra national de Paris. Equally at home on the concert stage, Ms. Gotimer has performed Handel’s Messiah with the Santa Fe and Idaho Falls Symphonies, Rufus Wainwright’s Dream Requiem at the Royal Concertgebouw, and Bach’s Missa Brevis with Binghamton University. A 2023 Operalia finalist and winner of multiple national and regional competitions, Gotimer is a graduate of the Marion Roose Pullin Arizona Opera Studio and Pittsburgh Opera's residency program. She holds degrees from the University of Cincinnati College-Conservatory of Music and Binghamton University, where she studied with Thomas Goodheart.
3/4/25
SPK
Sofia Theodore-Pierce
BU Film Salon.
COLLABORATIVE ARTISTS:
Curt Pajer, piano
Binghamton University Voice and Opera Students
CAITLIN GOTIMER BIO
In the 2025/26 season, Ms. Gotimer reprises the title role in Tosca at the renowned Glyndebourne Festival under Robin Ticciati; she makes a thrilling debut at the Royal Danish Opera, singing Nedda in Pagliacci under the baton of Giulio Cilona; makes her role debut as Cio-Cio San in Madama Butterfly with North Carolina Opera; and joins the roster at the Metropolitan Opera to cover Mimì in La bohème. In concert, she sings Handel’s Messiah with New Jersey Symphony Orchestra and appears at the Megaron Mousikis in Athens for a special performance of Rufus Wainwright’s Dream Requiem. Recent operatic credits include La Madre (La Fiamma) and Donna Anna (Don Giovanni) for Deutsche Oper Berlin; Nedda (Pagliacci) for Pittsburgh Opera; Countess (Le nozze di Figaro) at the Aspen Music Festival as a Renée Fleming Artist; Juliette (Roméo et Juliette) and Mimì (La bohème) for Arizona Opera; and Fiordiligi (Così fan tutte) for Dallas Opera. She has also covered Musetta (La bohème) at the Bravo! Vail Music Festival, and the title role in Suor Angelica and Giorgetta in Il tabarro in a high-profile production led by Carlo Rizzi for Opéra national de Paris. Equally at home on the concert stage, Ms. Gotimer has performed Handel’s Messiah with the Santa Fe and Idaho Falls Symphonies, Rufus Wainwright’s Dream Requiem at the Royal Concertgebouw, and Bach’s Missa Brevis with Binghamton University. A 2023 Operalia finalist and winner of multiple national and regional competitions, Gotimer is a graduate of the Marion Roose Pullin Arizona Opera Studio and Pittsburgh Opera's residency program. She holds degrees from the University of Cincinnati College-Conservatory of Music and Binghamton University, where she studied with Thomas Goodheart.
CURT PAJER BIO
Equally at home on the concert stage, opera podium and coaching studio, Curt Pajer has forged a teaching and performing career that balances collaborative piano, vocal coaching and conducting.
For 15 years, he served as the musical and managing director of opera and musical theater at the San Francisco Conservatory of Music; prior to that, he was the head of music staff at both the Opera Theatre of Saint Louis and the Wexford Festival Opera. He has also served as an assistant conductor and vocal coach at prestigious opera houses and festivals, including New York City Opera, San Francisco Opera, Santa Fe Opera, Houston Grand Opera, Dallas Opera, Boston Lyric Opera, San Diego Opera, Opera Colorado, Prague National Theater (Czech Republic), the Nissei Theater (Tokyo), New York Philharmonic, Bard SummerScape, Palm Beach Opera, Toledo Opera and Baltimore Opera. In 2025, he joined the faculty of the Prague Summer Nights festival.
As an operatic conductor, Pajer’s repertoire ranges from Mozart to world premieres, including the Mozart/DaPonte trilogy, La Clemenza di Tito, Gianni Schicchi, Suor Angelica, L’enfant et les sortilèges, Hansel and Gretel, Ariadne auf Naxos, Zanetto, Une education manquée, Docteur Miracle, Les mamelles de Tirésias, Postcard from Morocco and Glory Denied. He also led a complete cycle of Benjamin Britten's chamber operas in San Francisco. A champion of modern opera, Pajer conducted the West Coast premiere of Jonathan Dove’s Mansfield Park and The Enchanted Pig, as well as the world premiere of William Bolcom's orchestrated version of his opera Lucrezia. In 2021, San Francisco's classical radio station KDFC broadcast Pajer's recording of Giancarlo Menotti's The Old Maid and the Thief; it was recorded with soloists and orchestra during the COVID-19 lockdown, using state-of-the-art closed-circuit audio and video technology with the singers and orchestral musicians in separate rooms.
Pajer is also an active recitalist, most recently performing with renowned soprano Lisette Oropesa at the opening night concert of Festival Napa Valley
March 2 - 5, 2026
DESCRIPTION
Chandler Johnson, Director of the Santa Opera Apprentice Artist Program, and International Soprano and Binghamton University Alumna, Caitlin Gotimer, will be in residence with the Binghamton University Music Department, March 2-5. While here, the artists will lead masterclasses, private coachings, and a recital on March 4th.
EVENT SCHEDULE
- Masterclass, March 2, 2:00pm, Anderson Center Chamber Hall (open to Binghamton University Students)
- Alumna Recital, March 4, 7:30pm, Casadesus Recital Hall (open to the public)
- Masterclass, March 5, 10:30am, Tri-Cities Opera Center (315 Clinton Street)
ARTISTS BIOS
Chandler Johnson
Chandler Johnson has extensive professional experience on and off the operatic stage. He joined the artistic staff of The Santa Fe Opera in 2021 as the Artistic Associate, and now he serves as the Director of the Apprentice Program for Singers at The Santa Fe Opera. Previously, Chandler was the Associate Manager of Artistic Programs at the Los Angeles Opera, and was one of the first Artistic Fellows chosen by the Opera Theatre of Saint Louis as part of their Clayco Future Leaders Fellowship Program. He served as an artistic intern with Stratagem Artists and was selected to participate in the M3 seminar hosted by L2 Artists aimed to develop candidates from diverse backgrounds for artist management and arts administration. On stage, Chandler has performed with companies including Opera Santa Barbara, The Glimmerglass Festival, Chautauqua Opera, St. Petersburg Opera, Opera Columbus, and Cincinnati Opera. Chandler holds both a Bachelor’s of Music and a Master’s of Music in Vocal Performance, from the University of Cincinnati College-Conservatory of Music.
Caitlin Gotimer
In the 2025/26 season, Ms. Gotimer reprises the title role in Tosca at the renowned Glyndebourne Festival under Robin Ticciati; she makes a thrilling debut at the Royal Danish Opera, singing Nedda in Pagliacci under the baton of Giulio Cilona; makes her role debut as Cio-Cio San in Madama Butterfly with North Carolina Opera; and joins the roster at the Metropolitan Opera to cover Mimì in La bohème. In concert, she sings Handel’s Messiah with New Jersey Symphony Orchestra and appears at the Megaron Mousikis in Athens for a special performance of Rufus Wainwright’s Dream Requiem. Recent operatic credits include La Madre (La Fiamma) and Donna Anna (Don Giovanni) for Deutsche Oper Berlin; Nedda (Pagliacci) for Pittsburgh Opera; Countess (Le nozze di Figaro) at the Aspen Music Festival as a Renée Fleming Artist; Juliette (Roméo et Juliette) and Mimì (La bohème) for Arizona Opera; and Fiordiligi (Così fan tutte) for Dallas Opera. She has also covered Musetta (La bohème) at the Bravo! Vail Music Festival, and the title role in Suor Angelica and Giorgetta in Il tabarro in a high-profile production led by Carlo Rizzi for Opéra national de Paris. Equally at home on the concert stage, Ms. Gotimer has performed Handel’s Messiah with the Santa Fe and Idaho Falls Symphonies, Rufus Wainwright’s Dream Requiem at the Royal Concertgebouw, and Bach’s Missa Brevis with Binghamton University. A 2023 Operalia finalist and winner of multiple national and regional competitions, Gotimer is a graduate of the Marion Roose Pullin Arizona Opera Studio and Pittsburgh Opera's residency program. She holds degrees from the University of Cincinnati College-Conservatory of Music and Binghamton University, where she studied with Thomas Goodheart.
#BingCollects Pop-Up Series
Collaboration with University Libraries Special Collections
The theme during the 2025-2026 academic year is “Food & Drink.” Items on display will highlight artwork, objects, ephemera and books from the collections related to dining out and at home as well as growing and preparing food. Not merely for nourishment, food and drink are central to individual enjoyment, strengthening bonds among family and friends, building community and celebrating culture.
Sub-theme: In the GardenMarch 5, 2026, 2–4PM
Bartle BreezewaySub-theme: For the Feast
April 14, 2026, 12–2PM
Marketplace, University Union
Competition Winners:
Robert Rabeeh Dakwar, baritone
Alejandra Toledo, soprano
Yuri Hatazaki, violin
Ticketing information: https://www.binghamton.edu/anderson-center/events-list.html
Thursday, March 12, 6pm - 8pm
The Jay S. and Jeanne Benet Alumni Lounge, Old O'Connor Hall
Alexandra Tanner is the author of the novel Worry, named one of the best books of 2024 by The New Yorker and Vogue and shortlisted for the Janet Heidinger Kafka Prize. A recipient of grants and fellowships from Lighthouse Works, MacDowell, and The Center for Fiction, her work has appeared in Granta, The New York Times Book Review, and Jewish Currents, among other outlets. She lives and writes in Brooklyn.
By Jaclyn Backhaus
Directed by Lisa Rothe
March 12-15, 2026
Men on Boats hilariously reimagines John Wesley Powell’s 1869 river expedition, brought to life by female-identifying and non-binary performers. The play flips the script on masculine myths of conquest, using comedy and theatrical invention to reveal the untold truths beneath America’s “heroic” history.
Thu, Mar 12th, 2026 at 8:00 pmFri, Mar 13th, 2026 at 8:00 pmSat, Mar 14th, 2026 at 2:00 pmSat, Mar 14th, 2026 at 8:00 pmSun, Mar 15th, 2026 at 2:00 pm
Bagpipes with attitude. Drums with a Scottish accent.
It’s The Red Hot Chilli Pipers (that’s Pipers, NOT Peppers!), the nine piece ensemble of pipers, guitarists, keys and drummers who rock the world with musicianship of the highest order and a passion for pipes that leaves audiences and band alike breathless.
Since they walked away with the top prize on the U.K. primetime talent show, “When Will I Be Famous” in 2007, the Red Hot Chilli Pipers haven't stopped for a breath, other than to inflate their bagpipes! Formed in 2002, The Chillis have become a global phenomenon, taking their signature 'bagrock' sound to the masses with their unique fusion of rocked up bagpipes and clever covers of popular songs from all genres. Their trademark sound is a unique fusion of traditional pipe tunes like “The Flowers of Scotland” and contemporary anthems like Queen’s “We Will Rock You.” The band has four music degrees from the Royal Scottish Academy of Music and Drama and all the pipers and drummers have played at the top level in bagpiping.
The Pipers have sold out the Anderson Center twice before and we can’t wait to welcome them back to celebrate St. Patrick’s Weekend in 2026!
This performance will feature a special onstage collaboration between the Red Hot Chilli Pipers and local bagpipe groups.
By Jaclyn Backhaus
Directed by Lisa Rothe
March 12-15, 2026
Men on Boats hilariously reimagines John Wesley Powell’s 1869 river expedition, brought to life by female-identifying and non-binary performers. The play flips the script on masculine myths of conquest, using comedy and theatrical invention to reveal the untold truths beneath America’s “heroic” history.
Thu, Mar 12th, 2026 at 8:00 pmFri, Mar 13th, 2026 at 8:00 pmSat, Mar 14th, 2026 at 2:00 pmSat, Mar 14th, 2026 at 8:00 pmSun, Mar 15th, 2026 at 2:00 pm
By Jaclyn Backhaus
Directed by Lisa Rothe
March 12-15, 2026
Men on Boats hilariously reimagines John Wesley Powell’s 1869 river expedition, brought to life by female-identifying and non-binary performers. The play flips the script on masculine myths of conquest, using comedy and theatrical invention to reveal the untold truths beneath America’s “heroic” history.
Thu, Mar 12th, 2026 at 8:00 pmFri, Mar 13th, 2026 at 8:00 pmSat, Mar 14th, 2026 at 2:00 pmSat, Mar 14th, 2026 at 8:00 pmSun, Mar 15th, 2026 at 2:00 pm
By Jaclyn Backhaus
Directed by Lisa Rothe
March 12-15, 2026
Men on Boats hilariously reimagines John Wesley Powell’s 1869 river expedition, brought to life by female-identifying and non-binary performers. The play flips the script on masculine myths of conquest, using comedy and theatrical invention to reveal the untold truths beneath America’s “heroic” history.
Thu, Mar 12th, 2026 at 8:00 pmFri, Mar 13th, 2026 at 8:00 pmSat, Mar 14th, 2026 at 2:00 pmSat, Mar 14th, 2026 at 8:00 pmSun, Mar 15th, 2026 at 2:00 pm
By Jaclyn Backhaus
Directed by Lisa Rothe
March 12-15, 2026
Men on Boats hilariously reimagines John Wesley Powell’s 1869 river expedition, brought to life by female-identifying and non-binary performers. The play flips the script on masculine myths of conquest, using comedy and theatrical invention to reveal the untold truths beneath America’s “heroic” history.
Thu, Mar 12th, 2026 at 8:00 pmFri, Mar 13th, 2026 at 8:00 pmSat, Mar 14th, 2026 at 2:00 pmSat, Mar 14th, 2026 at 8:00 pmSun, Mar 15th, 2026 at 2:00 pm
3/17 - LH6 - 7:00pm to 9:00pm
Beyond Resolution: Films By Sabine Gruffat
Sabine Gruffat is a French-American artist born in Bangkok, Thailand. She co-founded and co-programs the Cosmic Rays Film Festival in Chapel Hill, NC with filmmaker Bill Brown. Currently she lives in Marseille, France.
Sabine Gruffat works on experimental, animation, and essay forms and exhibits her work as installations, performances, and single-channel screenings. By actively engaging with both current and outmoded technology, Gruffat’s work questions our standardized and mediated world.
Sabine Gruffat’s films and videos have screened at festivals worldwide including the Image Forum Festival, The Ann Arbor Film Festival, Migrating Forms, the Viennale, MoMA Documentary Fortnight, Chicago Underground, Cinéma du Réel, 25FPS, Transmediale in Berlin, and The Copenhagen International Documentary Film Festival. She has produced digital media works for public spaces as well as interactive installations that have been shown at the North Carolina Museum of Art, Zolla Lieberman Gallery in Chicago, Art In General, PS1 Contemporary Art Museum, and Hudson Franklin in New York. Her collected video works are distributed by the Video Data Bank in Chicago, IL.
Material+Visual Worlds
Molly Herron (Assistant Professor, Blair School of Music, Vanderbilt)
public lecture Thu 19 Mar 6:00 PM location TBA
lunchtime workshop Fri 20 Mar 12:00 PM FA 218
3/19 - LH6 - 7:00pm to 9:00pm
Works by Peter Burr
Peter Burr is an artist from Brooklyn, NY who transforms complex computational systems into emotional, sensory experiences through large-scale immersive environments. Drawing from early experiments with computational graphics in the mid-nineties, Burr's practice has evolved to incorporate techniques that merge fundamental computing operations with modern real-time rendering systems. His work frequently explores the relationship between human-machine interfaces and the underlying systems that drive them.His practice has been recognized through grants and awards including a Guggenheim Fellowship, a Creative Capital Grant, and a Sundance New Frontier Fellowship. His work has been presented at major cultural institutions including the Museum of Modern Art, The Barbican Centre, Documenta 14, the Whitney Museum of American Art, and the Centre Pompidou.
Material+Visual Worlds
Molly Herron (Assistant Professor, Blair School of Music, Vanderbilt)
public lecture Thu 19 Mar 6:00 PM location TBA
lunchtime workshop Fri 20 Mar 12:00 PM FA 218
Free Admission.
Saloni Parekh: "God, Otherwise"
On View: February 26—March 26, 2026
Parekh's exhibition "God, Otherwise” invites viewers to engage with god beyond the constraints of fixed imagery, inherited dogmas, and historical structures of power. Rather than offering a definition, Parekh’s work approaches god as an open-ended question, an understanding actively constructed and realized through the act of painting, in an effort to find who god is and what god looks like.
All events are free and open to the public.
March 26, 7–9pm, Chamber Hall
Rehearsal slots March 23 and 25 for those performing.
Our second SOARJam brings together visual art, dance, spoken word, performance, cinema, and more, turning the Chamber Hall into a live laboratory of sound, movement, and image.
Open to all.
Join students across disciplines in a live, collaborative art action. Come to watch, or participate - we’ll help you find ways to join in and create live.
Opportunities include collaborative drawing, dance, music, spoken word, video projection, audio-reactive installation, and experimentation with digital and analog media—including 35mm slides and performing with live loops of yourself!
Come watch, participate, or move between both. No prior experience required.
Broome County Forum Theatre (236 washington st.)
The Binghamton University Chamber Singers join with the Southern Tier Singers' Collective and members of the Syracuse University Oratorio Society for a performance with the Binghamton Philharmonic Orchestra. Under the direction of Daniel Hege the BPO performs Beethoven's 9th Symphony at the Broome County Forum Theater.
Soloists:
Sophia Hunt, soprano
Sophia Maekawa, mezzo-soprano
Ethan Burck, tenor
Erik Tofte, baritone (Binghamton University Music Department Alumus '19)
Ticketing:
https://binghamtonphilharmonic.org/event/6010559/715009758/ode-to-joy
Art & Design: BFA Exhibition
On View: April 7—April 27
April 9, 5.30-7.30 opening reception
Rosefsky Gallery
One Pulse 2026 Audition Form: https://docs.google.com/forms/d/e/1FAIpQLSfzpZv_chQTdPFcwIW61q1oW0pkWVf7FyDsgonw8vLT6xjagw/viewform
#BingCollects Pop-Up Series
Collaboration with University Libraries Special Collections
The theme during the 2025-2026 academic year is “Food & Drink.” Items on display will highlight artwork, objects, ephemera and books from the collections related to dining out and at home as well as growing and preparing food. Not merely for nourishment, food and drink are central to individual enjoyment, strengthening bonds among family and friends, building community and celebrating culture.
Sub-theme: In the GardenMarch 5, 2026, 2–4PM
Bartle BreezewaySub-theme: For the Feast
April 14, 2026, 12–2PM
Marketplace, University Union
Common Ground Reading
Weds, April 15, 6pm - 7:30pm
The Jay S. & Jeanne Benet Alumni Lounge, Old O'Connor Hall
Join the Common Ground reading series to experience live readings by undergraduate & graduate student writers.
A Long Series of Shorts: Films about the Arts and Crafts Movement
DATE CHANGE: Thursday, April 16, 2026, 12-7PM
Join the Binghamton University Art Museum for A Long Series of Shorts: Films about the Arts and Crafts Movement on Thursday April 16, 2026 during BUAM open hours of 12-7PM in the Main Gallery.
Binghamton University Art Museum is located inside the Fine Arts Building on Binghamton University Campus. All BUAM events are free and open to the public.
Free Admission.
Free Admission.
Free Admission.
Puzzle & Play Night @ BUAM!
Join Binghamton University Art Museum for Puzzle & Play Night @ BUAM on Thursday, April 23, 2026 from 5-7PM in the Main Gallery.
More details to come soon...
Binghamton University Art Museum is located in the Fine Arts Building on Binghamton University Campus. All BUAM events are free and open to the public.
Material+Visual Worlds
Seb Franklin (Reader, English, King's College, London, UK)
public lecture Thu 23 Apr 6:00 PM location TBA
lunchtime workshop Fri 24 Apr 12:00 PM FA 218
Material+Visual Worlds
Seb Franklin (Reader, English, King's College,London, UK)
public lecture Thu 23 Apr 6:00 PM location TBA
lunchtime workshop Fri 24 Apr 12:00 PM FA 218
Friday, April 24, 5:30pm-6:30pm, John Arthur Cafe, Fine Arts building
Triple Cities Magazine Reading
The editors and contributors of Binghamton's new undergraduate literary journal, Triple Cities Magazine, read poetry and prose.
Music by Benny Andersson and Björn Ulvaeus
Lyrics by Tim Rice
Directed by Chaz Wolcott
Music Directed by Melissa Yanchak
April 24 - May 3, 2026
Chess is a Cold War-era rock musical centered on a love triangle between a volatile American chess champion, Freddie Trumper, and his earnest Soviet rival, Anatoly Sergievsky, who are both entangled with Florence Vassy, a Hungarian-American assistant. The musical uses a world chess championship as a metaphor for the political and romantic rivalries between the U.S. and the Soviet Union, exploring themes of betrayal, identity, and personal sacrifice against the backdrop of the ancient game.
Fri, Apr 24th, 2026 at 8:00 pmSat, Apr 25th, 2026 at 2:00 pmSat, Apr 25th, 2026 at 8:00 pmFri, May 1st, 2026 at 8:00 pmSun, May 3rd, 2026 at 2:00 pm
Music by Benny Andersson and Björn Ulvaeus
Lyrics by Tim Rice
Directed by Chaz Wolcott
Music Directed by Melissa Yanchak
April 24 - May 3, 2026
Chess is a Cold War-era rock musical centered on a love triangle between a volatile American chess champion, Freddie Trumper, and his earnest Soviet rival, Anatoly Sergievsky, who are both entangled with Florence Vassy, a Hungarian-American assistant. The musical uses a world chess championship as a metaphor for the political and romantic rivalries between the U.S. and the Soviet Union, exploring themes of betrayal, identity, and personal sacrifice against the backdrop of the ancient game.
Fri, Apr 24th, 2026 at 8:00 pmSat, Apr 25th, 2026 at 2:00 pmSat, Apr 25th, 2026 at 8:00 pmFri, May 1st, 2026 at 8:00 pmSun, May 3rd, 2026 at 2:00 pm
Music by Benny Andersson and Björn Ulvaeus
Lyrics by Tim Rice
Directed by Chaz Wolcott
Music Directed by Melissa Yanchak
April 24 - May 3, 2026
Chess is a Cold War-era rock musical centered on a love triangle between a volatile American chess champion, Freddie Trumper, and his earnest Soviet rival, Anatoly Sergievsky, who are both entangled with Florence Vassy, a Hungarian-American assistant. The musical uses a world chess championship as a metaphor for the political and romantic rivalries between the U.S. and the Soviet Union, exploring themes of betrayal, identity, and personal sacrifice against the backdrop of the ancient game.
Fri, Apr 24th, 2026 at 8:00 pmSat, Apr 25th, 2026 at 2:00 pmSat, Apr 25th, 2026 at 8:00 pmFri, May 1st, 2026 at 8:00 pmSun, May 3rd, 2026 at 2:00 pm
Art & Design: BFA Exhibition
On View: April 7—April 27